Kalash Nanda Kumar

The Latest

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Exclusive: I have a right to cinema, says IDFA director Orwa Nyrabia 

International Documentary Film Festival Amsterdam's head discusses the state of documentary filmmaking, the future of festivals, and embracing new technologies

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Dispatches from GAIFF 2022: Rojek 

A new documentary into the minds of Islamic State (Isis) operatives and the work of the Syrian Democratic Forces (SDF) 

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Dispatches from GAIFF 2022: Unrest

A startling tale of a worker’s union in a highly mechanised society

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19th Golden Apricot International Film Festival officially launches 

Armenia’s most prestigious film fest returns stronger than ever despite tumultuous circumstances 

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Moving beyond an anthropocentric outlook in our diet

Growing vegan community cites health, activism, global climate for lifestyle change

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Getting the 101 on the future of occupational therapy

Malaysia’s ageing population is expected to soar by 2050 and with it the need for rehabilitative services

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RCS Edinburgh vice-president talks of building greater partnership with Malaysia

Pala Rajesh, the first Indian VP of The Royal College of Surgeons Edinburgh, speaks on a history of cooperation and steps forward

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Giving voice to primates: an interview with zoologist Nadine Ruppert

Could a 'mystery monkey' spotted in Kinabatangan – a mixed-genus offspring – be a sign of the country's ecological collapse?

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Putting sustainability first in tourism – lessons from a Malaysian SME

Batu-Batu Resort, in Pulau Tengah, an off-grid island in Johor is an example of sustainable tourism with environmental principles in mind

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Addressing climate change requires systemic change

We must come together to initiate change for the future of our planet, says keynote speaker Dr Jemilah Mahmood

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Finding refuge in art: an interview with artist Amin Kamrani

As a producer for the Parastoo Theatre, Amin Kamrani witnesses firsthand what refugee youth in Malaysia experience

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‘Spilt Gravy/Ke Mana Tumpahnya Kuah...’ takes aim at the idiosyncrasies of Malaysian life

A movie almost lost to censorship is resurrected a decade later