Heritage

British Museum exhibition traces rise and fall of Stonehenge

Called 'The World of Stonehenge', it traces the development of the Unesco-protected site – two concentric circles of huge stone blocks and lintels

Updated 4 years ago · Published on 17 Feb 2022 6:00PM

British Museum exhibition traces rise and fall of Stonehenge
A museum employee looking at the oldest known sky-map made of gold and bronze dated of 1600 BC and found in Nebra, Saxony-Anhalt, Germany, displayed during a press preview of the new exhibition 'The World of Stonehenge' at the British Museum. – AFP pic, February 2022

A NEW exhibition on the Stonehenge stone circle in southern England sheds new light on its 4,500-year history, linking its declining influence to the Bronze Age population's discovery of metalworking.

Opening on Thursday at the British Museum in London, the exhibition called "The World of Stonehenge" traces the development of the Unesco-protected site – two concentric circles of huge stone blocks and lintels.

According to Celtic legends of the Middle Ages, the circle was magically created by the mythical magician Merlin.

Construction at the site was started during the Neolithic era by hunter-gatherers without metal tools and continued into the Bronze Age as metalworking became widely established.

European metalworkers arrived during the early Bronze Age, gradually superseding the local Neolithic population.

"Within a couple of hundred years, those people from Europe replaced the previous population by almost 95%," Neil Wilkin, the exhibition's curator, said.

As their culture and beliefs became dominant, Stonehenge lost its original purpose and became used as a cemetery, he added.

The exhibition shows numerous tombs from the time, as well as objects such as large gold necklaces made in France around 2300 BC.

The Nebra Sky Disc, the world's oldest surviving map of the stars, smelted in gold and bronze in 1600 BC in present-day Germany, is also featured.

Altogether there are more than 430 objects from the United Kingdom, Ireland, France, Germany, Denmark and Switzerland at the exhibition, which runs to July 17.

The British Museum also displays 14 wooden poles that were preserved for millennia under the sand of a beach in Norfolk, eastern England, until their discovery in 1998.

These are the remains of a wooden circle called Seahenge, on loan to the museum for the first time.

The 4,000-year-old circle once featured 54 oak piles arranged in a circle 6.6 metres in diameter, with a huge upturned tree in the centre, its roots facing skywards.

This circle would have been used for rituals in a similar way to Stonehenge, but was built five centuries later (2049 BC), using metal axes typical of the Bronze Age, said Wilkin, as the tradition of building such circles dwindled away.

"Seahenge is one of the last monuments of its type built in Britain. It's the very end of a long tradition that spans 1,000 years," he noted. – AFP, February 17, 2022

Related News

Opinion / 6d

One more temple falls: The destruction of Malaysia’s soul?

Opinion / 2w

The alchemy of staying

Malaysia / 3w

Penang orders owners, operators of heritage shophouses to conduct regular inspections

Culture / 1mth

Close cooperation vital for conservation and preservation of George Town, says CM

Culture / 1mth

Penang Museum officially ‘reopened’ after delicate touch-ups

Malaysia / 1mth

Giant 150-year-old tree falls, firefighters rescue trapped elderly man (video)

Spotlight

Malaysia

Elderly man admits to hitting neighbour with iron rod

Malaysia

Body found at KLIA2 in tyre storage compartment of aircraft from Japan

Malaysia

Factory operator faces rape, unnatural sex charges involving polytechnic student

Malaysia

Ismail Sabri granted RM300k bail after pleading not guilty to asset declaration charge

By Alfian Z.M. Tahir

Malaysia

Sunway Lagoon ride halted as safety probe seeks to protect public - DOSH

Malaysia

Malaysia ready to deploy military expertise for Nepal flood relief, says Defence Minister

Malaysia

Violence in Thailand: Visitors drop by almost 50 per cent

By Ian McIntyre